Teaching is an Art

Amanda Flahive takes a traditional selfie with students after a showcase performance on Raue Center’s stage. 

Teaching artist Amanda Flahive shares why performing arts education is so important to her.

As a kid growing up in rural Kankakee County, IL, I always knew I loved performing…but didn’t have quite the right place to do that.  I sang “The Sound of Music” into my Fisher-Price tape deck for an audience of stuffed animals, I danced through the living room and entertained everyone who would listen with dramatic interpretations of my favorite Little Golden Books—so it was pretty clear early on that I was headed for the stage!

In spite of my performing ambitions, my small community didn’t offer much in the realm of arts opportunities—it was during my time at college studying for my career as a performer that I discovered my love of sharing the magic of theatre with kids like me.  I love teaching all ages of kids about the joy of theatre and how it can make a difference in their lives, or even become their career.  While I am fortunate enough to call myself a working actor, I often say that teaching is the other half of my “theatre soul.”  As much as I love getting on stage in front of an audience, belting a big number, and digging deep into a role, I also love teaching young performers how to harness that same energy that gets them singing into their hairbrushes in their bedroom mirrors and turn it into a compelling onstage moment. 

As we’ve built the RCSA program, I’ve been fortunate enough to witness many of our students grow from their first class as “dramatic personalities” into confident, vibrant young artists…some of whom have already started incredible professional careers.  While not everyone ends up on a Broadway stage, it’s what we learn along the way that shapes us as human beings—and it is such a gift to meet these kids as they discover their path. Teaching them is my honor and privilege—and I look forward to being part of their journey, wherever it takes them!

Amanda Flahive is an actor and instructor with Raue Center School For The Arts. She will be teaching RCSA’s High School Musical Theatre Workshop June 6 – 17, 2022. For more information about this and Raue Center’s other education workshops and summer camps visit rauecenter.org/education.

Actor Michelle Tibble is Fan-tastic in “Always…Patsy Cline”

Actor Michelle Tibble discusses her role as Louise Seger in Raue Center For The Art’s “Always…Patsy Cline” opening March 19, 2022. 

Can you introduce yourself to our audience?

I’m Michelle Tibble. I’ve been acting professionally since I was in college, so a long time. I’m also a wife and a mom of two cute kiddos. When not on stage you can find me sharing stories and joy through the art of balloons and variety entertainment. I have 20 plus years of improv and variety arts experience and have run my own special events company since 2003 called Awesome Balloon Creations LLC.

I grew up in Pittsburgh, PA with my mom who is a HUGE Patsy Cline fan, and I moved to Chicago in 2004 to focus on Second City. I grew to love the work and the people that I found here and never left. My favorite genre of performance is comedy and musical theatre because it evokes joy and larger-than-life ideas. And if I had to give myself a mission statement it would be to evoke joy.


What do you love about this character?  

I love Louise for a lot of reasons, but most and foremost I love that she’s a good storyteller and she has the kind of sense of humor I grew up around. That brash witty honesty. She kind of reminds me of my aunts and my mom, but with a fearless openness that they could only dream of. My mom was a huge Patsy Cline fan. She would listen to Patsy Cline almost every day, just like Louise Seger. There are a lot of similarities between Lousie Seger and my mother. Not so much the brevity and comedic parts of Louise, because my mother is quite shy, but she is a woman, like Louise, who gravitated toward Patsy Cline’s music to help her wash out pain and took comfort in it during a time when not many people around her understood her or her choices. Music can be a form of therapy for a lot of people, and Patsy Cline, I believe, was that for many women. Louise is this single mom, who is raising kids during a time when it was not popular to divorce and it was a man’s world. She and Patsy have that in common. She was definitely a trailblazer on a lonely path, and she saw and heard those traits in Patsy Cline and her music, and it resonated with her. And quite frankly, that also resonates with me. I think we all seek something to pull us toward hope, light, and understanding on a daily basis and even more so during those harder moments, and sometimes that can be music and a celebrity. We all have that one celebrity that grabs us and gives us excitement.

My celebrity is Mariska Hargitay from Law and Order SVU. She fell into my life in a similar way that Louise found Patsy, she even wrote me a letter after I wrote a song about her at Second City, which I have hanging in my office, and the whole letter/celebrity part of this story really speaks to me. Louise also doesn’t dwell on her sorrows, which is the best part of Louise, and she tends to throw herself into things in a “Live in the moment” kind of way, and I love that about this character. Because she could be a tragic character, but she rises above negativity, and that fun-loving open-hearted energy is why I think she got the opportunity to live a dream the night that she runs into Miss Patsy Cline. Had she just sat back in fear, she would have never met Patsy. And don’t we all want that? That feeling to just be so open and carefree that things land in our lap and we just eat it up like a kid in a candy store! I hope that when people are watching her story, they also feel the love and warmth of this character and the music, and take that feeling with them when they leave.


What is the first thing you do to research and approach a role?

I dissect the moments and then I try to connect with them.

I go through the script and try to find the things that other characters say about them, what they say about themselves, and also take note of what they talk about.

I try to figure out the details that are not written on the page. The before moments. Sometimes you have to make that up, but it will just help you figure out how to react to all kinds of moments when the lights turn on. 

There is a reason for every word in a script, so you have to know why the author chose those words.

Sometimes the words are exposition, but usually, it’s a little puzzle piece telling us about the character and how they feel.


What’s challenging about bringing this script to life?

I can’t believe I’m about to answer this question in the way that I’m about to answer it, but I know that every audience member from here to Texas would want to know the answer to this question, so here goes. The most challenging thing about this script so far has been memorizing all of the ding dang lines! LOL

And the reason I am in disbelief of saying that, is because over the decades, I have done countless talkbacks after all kinds of shows, and it doesn’t seem to matter what play or musical you are doing, you could have left your blood, sweat, tears, and soul on that stage, and felt the audiences swell with laughter and/or tears, and inevitably, the first question an audience member will ask you is…..”how did you memorize all of those lines?” (And that’s when I slap my own head). As an actor, I truly despise that question. It’s an expected question so don’t feel bad if you’ve asked it, but I truly would like to ban it from all talkbacks. Please, for the love of all things right in the world, never ask that question at a talkback.

That being said, this show was really hard to memorize. I’m alone on stage. I’m talking or having to listen intently to the whole show. If I mess up…there is not one person who can save me, not even the band, I just have to talk my way back with spit and a prayer, and hope that Sara Beth knows where I’m going with it all for her next entrance.

So yep. Learning my lines has been the hardest part of this show!

So, how am I doing it? Well, I had a teacher in college tell us to read the play before bed every night. I’ve never had to do that. But I tried that, and he was clearly not a mother of two small children who also runs a business and 15 other people. I just fall asleep the second I hit the bed. So then I started getting up super early to read it. I also tried a script app, but it’s really hard to use those script apps with long monologues. So I would memorize a monologue a day and then for 24-48 hrs I would rehearse that monologue everywhere, mostly while driving. I then run through the whole script daily, while I work or drive. This seems to be working, but repetition repetition repetition seems to be the trick. Like anything else.


Why did you want to be involved in this production?

I’ve worked with Kevin, the director once before, and I knew we would collaborate well. He’s supported other shows that I’ve been in, and he reached out to see if I would audition and I thought ‘, sure, why not. I’ll audition.’ I was slightly hesitant because my mother really did over listen to Patsy Cline when I was a kid. LOL. But then I read the script, and I just love Louise! I love this character so much! She really is a challenge and a joy. Sara Beth is the best Patsy Cline you could ask for, both on and off stage. She’s a pro at music, she just knows exactly what she wants from her voice and the band has incredible knowledge about Patsy Cline and is a sweetheart in every way. So I’m very excited to be working out here in Crystal Lake with this incredible team of people and to be putting on this fun show for you all.


See Michelle Tibble as Louise Seger in “Always…Patsy Cline,” running March 19-April 16, 2022 at Raue Center For the Arts. For tickets and more information visit rauecenter.org

Actor Sarah Beth Tanner Gets Cookin’

Actor and virtual chef, Sarah Beth Tanner, talks about playing Patsy Cline and how teaching the culinary arts feeds her soul and creativity.

What do you like about acting/singing the most?

  Storytelling through acting and music is the most basic of human art forms, and I love knowing that I am a part of an ancient transformational tradition. Acting – especially in the immediacy of live theatre – helps expand human empathy by challenging the audience’s perception of the world. We are able to get to know characters, hear conversations, and witness situations that we might not be privy to in our real lives. At its best, it’s more than entertainment – it’s a chance to learn and grow.

Can you introduce yourself to our audience?

I’m Sarah Beth – I’m originally from a small town in north Alabama, and I moved to Chicago in 2013 after working for regional theatres across the country. I was looking for a place to settle in after years of bouncing from contract to contract, and Chicago was the perfect fit.

Did you take up any training?

I hold a BA in Musical Theatre from Birmingham-Southern College in Birmingham, Alabama. These days, I try to take at least one acting class a year (many great options in Chicago!), and I regularly work with several vocal coaches.

When did you start acting?

I started acting in high school. ‘Drama Class’ was a natural fit for me, and I had the great fortune of having a dedicated, dynamic teacher who recognized and cultivated my passion for the work we were doing. Thanks, Mrs. McClung!

 What do you love about this character?

Patsy Cline died young, but she was not an overnight success by any stretch. She battled through so many various obstacles throughout her life and career – abusive relationships, tragedy and injury, and rampant sexism to name a few. I admire her tenacious grit in a huge way, but she was also known as a big-hearted and fiercely loyal friend. I love that combo.

What is the first thing you do to research and approach a role?

Every role is different, but I’m a big reader and a proud nerd about details. For this role, I dug into every biography and documentary I could find. I was cast in this role pre-COVID, so I’ve probably had too much time to research! I even made an impromptu pilgrimage to the Patsy Cline Museum in Nashville last summer after a camping trip in the Ozarks. I saw her iconic costumes and her personal handwriting on many of the letters she’d written friends and fans. It was an extremely memorable day for me, and I highly recommend visiting if you’re ever in Nashville!

 What’s challenging about bringing this script to life?

This script is unique in that it’s extremely one-sided. Louise has the vast majority of words to say, and Patsy is somewhat limited to telling her story through her songs. Kevin (our fabulous director) and I have worked hard to bring depth and detail to these songs – especially the ones we’ve all heard many times before.

Why did you want to be involved in this production?

I’ve known I would play this role one day since I saw a production of this show when I was 15. I loved it so much and the pull it had over me solidified my dream of being a professional storyteller and actor-musician.

What’s going to surprise people about this show?

We’ve added so many new ideas to this production – this is going to be unlike any other Always, Patsy Cline you’ve ever seen! I’m so excited for folks to see what we’ve been crafting!

  Besides this one, what’s your favorite stage show?

I’m a serious musical theatre lover, so it’s hard to pick a favorite! I enjoy different shows from different eras, but I always love a folksy vibe with lots of heart. Right now, I’m stuck on Come From Away. I also love the show In the Heights, and I’ve been on a fresh ITH kick since the movie came out last year!

What do you do when you’re not doing theatre?

I’m a Culinary Creative and professional food lover! I work as a recipe developer, food stylist, and content creator, and you can find more about that at sbtcooks.com. I’m also a nature lover and always looking for a chance to get out of the city for some camping or hiking. In the last few years, I’ve gotten into gardening, so in Spring and Summer, you’ll find me working in a city fire escape container garden.

What’s the last thing you do before you step out on stage / the curtain goes up?

I take deep breaths and remind myself to trust the good work we put in while preparing and rehearsing. I try to find a reverent, meditative mindset and focus on telling the story instead of worrying about myself. It’s much easier said than done, but it’s what I strive for!

This experience was the carrot on the end of my personal pandemic stick, and I’m just so grateful to finally be living this part of the story.

Photos by Todd Heintz Photography: (Pictured) Cast members Sarah Beth Tanner and Michelle Tibble rehearse with director Kevin Wiczer and music director Jason Hartge. 

See Sarah Beth Tanner as Patsy Cline in Raue Center’s musical production of “Always…Patsy Cline,” March 19 – April 16, 2022. Tickets at rauecenter.org.

Bake for the Arts! Join Sarah Beth Tanner for a virtual Buttermilk Biscuit Class, on April 30, 2022, at 10 am.
Proceeds benefit Raue Center and its educational programs, Mission Imagination and Raue Center School For The Arts. To sign up for this scrumptious online baking class visit sbtcooks.com

Something Rotten is coming to Cary Grove High School!

Welcome to the Renaissance and the outrageous, crowd-pleasing musical farce, Something Rotten!  Created by Grammy Award-winning songwriter Wayne Kirkpatrick, and successful screenwriters Karey Kirkpatrick and John O’Farrell, Something Rotten! was lauded by audience members and critics alike, receiving several Best Musical nominations and hailed by Time Out New York as “the funniest musical comedy in at least 400 years”. Set in the 1590s, Something Rotten! follows brothers Nick and Nigel Bottom who are desperate to write a hit play but are stuck in the shadow of that Renaissance rock star known as “The Bard.”

When a local soothsayer foretells that the future of theatre involves singing, dancing, and acting at the same time, Nick and Nigel set out to write the world’s very first musical. But amidst the scandalous excitement of opening night, the Bottom Brothers realize that reaching the top means being true to thine own self, and all that jazz.

Something Rotten! features large song and dance numbers, and a wacky cast of over-the-top characters, each given his or her own special moment in the show to shine.  Throughout its Broadway run, the musical received a show-stopping standing ovation from audiences… in the beginning of the first act!  It’s become clear that “nothing’s as amazing as a musical,” so don’t miss your chance to see it! -Information courtesy of MTI.com


Public ticket sales begin February 23rd, at 9 am. Visit carygrovechoirs.org for more information.

Crystal Lake Central High School performing Winter musical “42nd Street”

CRYSTAL LAKE, IL, Feb. 16, 2022- Crystal Lake Central High School will perform 42nd Street for its winter musical. Performances will occur on Thursday, March 10 at 7 pm, Friday, March 11 at 7 pm, Saturday, March 12 at 7 pm, and Sunday, March 13 at 1 pm.

Forty-Second Street is a stage adaptation of the classic 1933 movie with music by Harry Warren, lyrics by Al Dubin, and book by Michael Stewart and Mark Bramble. The production was nominated for eight Tony Awards, winning two including Best Musical. Come along and listen to the lullaby of Broadway! 42nd Street celebrates Broadway, Times Square, and the magic of show biz with wit, humor, and pizzazz. At the height of the Great Depression, aspiring chorus girl Peggy Sawyer comes to the big city from Allentown PA, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star? The score is chock-full of Broadway standards, including “We’re In the Money,” “Lullaby of Broadway,” “Shuffle Off to Buffalo” and “Forty-Second Street.”

This year’s musical is produced by CLCHS choir director Kimberly Scherrer, featuring the choreography of Chesney (Murphy) Lofgren. Chesney has been an integral part of the directing team for over ten years at CLC. Her exceptional talent is showcased through the students in every tap and jazz production number. Leading characters played by CLCHS students include junior Ian Farrell-Freeland (Julian Marsch), junior Raina Thiegs (Peggy Sawyer), freshman Corey Atkinson (Billy Lawlor), senior Natalie Virgil (Dorothy Brock), junior Bethany Sternberg (Ann Reilly), senior Connor Hershey (Andy Lee), senior Evie Iwin (Bert Barry), senior Katelyn Santoro (Maggie Jones), junior Nathan Szadowski (Abner Dillon) and senior Micah Kellerman (Pat Denning).

A strong supporting cast of minor leads and ensemble members carry the weight of the show through tap choreography. These CLCHS students include senior Ida Alt (Gladys), senior Madi Blackmore (Lorraine), freshman Riya Gumidyala (Millie), freshman Ava Heldt (Robin), senior Kiera Majzner (Ethel), senior Maddie Novotney (Phyllis), junior Naomi Virgil (Diane), junior Avery Wilson (Winnie) and several other ensemble members.

In total, approximately 100 Crystal Lake Central students will be involved in the production as part of the cast, pit, and crew. Additional production team support is provided by Cris Kingston (Director), Eric Thiegs (Ensemble Director), Keith Levin (Pit Orchestra Director), Steve Knope (Set Director), Becca Polk (Costume Director/Dance Captain), Steve Scherrer (Lighting Director) and Anders Stadler (Sound Director/Assistant Director).

“We hope this high energy and the infectious show brings you to your feet. The tap choreography has brought new life to our theater following a year of Covid shutdowns. We look forward to having audiences back in our space to root for Peggy and to fall in love with musical theater, just as she does.”

Tickets can be purchased online at www.clchs theater.ludus.com


Based on a true story!

Crystal Lake, Ill.: – February 15, 2022 – Based on a true story! Raue Center For The Arts is excited to bring a musical based on the true story of Patsy Cline’s friendship with Houston housewife and fan Louise Seger to the stage! “Always… Patsy Cline” opens on March 19, 2022, and runs select dates through April 16, 2022.

“After so many years in COVID 19 lockdown, we are thrilled to be producing this amazing musical that really celebrates life and friendship,” said artistic director, Richard Kuranda.   “Sara Beth Tanner is a STAR that brings Patsy to life!  Michelle Tibble is funny and charming as Louise Seger. This show is phenomenal thanks to Kevin, our director. He last mounted “The Addams Family” which broke box office records!”  

In 1961, after meeting at one of Cline’s concerts in Houston, the two women struck up a friendship. When Cline finally left for Dallas, her next job, the two women had exchanged addresses and telephone numbers. Seger never expected to hear from Cline again, but soon after she left, Seger received the first of many letters and phone calls from Cline. This pen-pal friendship lasted until Cline’s untimely death in a plane crash in 1963 and is the inspiration for the heartfelt musical. 

“Always… Patsy Cline” focuses on a fateful evening at Houston’s Esquire Ballroom when Seger hears of Cline’s death in a plane crash. Seger supplies a narrative while Cline floats in and out of the set singing tunes that made her famous – Anytime, Walkin’ After Midnight, She’s Got You, Sweet Dreams, and Crazy – to name a few.

The show combines music, humor with the bittersweetness of grief. It offers fans who remember Cline while she was alive a chance to look back while giving new fans an idea of what seeing her was like and what she meant to her original fans.

Raue Center’s “Always…Patsy Cline” is directed by Kevin Wiczer with music direction by Bryan McCaffrey and choreography by Billy Seger. The cast includes Sarah Beth Tanner as Patsy Cline and Michelle Tibble as Louise Seger.

“Always… Patsy Cline” runs select dates March 19 – April 16, 2022.  Tickets are $39.50 (RaueNOW Members get 30% Off) Student discounts are also available. For more information, please visit rauecenter.org.



Patsy Cline  – Sarah Beth Tanner

Louise Seger – Michelle Tibble

Understudy / Swing – Autumn Thelander

Understudy/ Swing- Rhiannon Palmer

Production & Design Team: 

Director: Kevin Wiczer

Musical Director: Bryan McCaffrey

Assistant Director & Choreographer: Billy Seger

Lighting Designer: Mickie Marie

Costume Designer: Rae Melnik

Sound Designer: Jonesy Jones

Scenic Designer and Artist: William Schmiel

Props Master: Cris Kingston

PSM: Caro Arana

ASM: Rhiannon Palmer

Director of Production: Jarrod Bainter

Producer: Jess Urban

Producer: Kyle Schneider

Artistic Director: Richard Kuranda

Ticket Options: (price per ticket)
Non-Member: $39.50*
RaueNOW Member: $27.65*
Discounts & special offers are available. 



Raue Center For The Arts
26 N. Williams Street
Crystal Lake, IL 60014

Box Office: 815.356.9212 | 2 p.m. to 4 p.m. Tuesdays – Fridays | Closed Sat, Sun. and Mon. | Open 1 hour prior to scheduled performances.

Crystal Lake Stop
Harvard Line on the Metra
I-90 to Randall Road Exit

UPDATED COVID POLICY! Raue Center appreciates your help in our efforts to keep the theater a safe environment for all. As of 2.16.22 Raue Center NO LONGER requires vaccination or negative tests for entry to shows and events.  Masks continue to be required while in the theater unless actively eating or drinking. For more information visit rauecenter.org/covid/ For questions or concerns, please contact our Box Office at 815-356-9212.

About Raue Center For The Arts

Raue Center is a 501(c)3 nonprofit organization dedicated to enriching the lives of all through the arts. For 20 years, they have provided quality programming – striving to make it pertinent, available, and affordable to all. As a painstakingly restored, 1920s regional showcase theatre named for its benefactor—Lucile Raue—Raue Center has attracted the finest stars, Broadway shows, musicians and artists. Named on the League of Historic American Theatres, Raue Center is one of the finest examples of restored art and decor in the nation. The 750-seat theatre, located in historic downtown Crystal Lake, Illinois, is a gathering place for our region’s citizens and has become a true destination. 


For additional information, visit rauecenter.org, facebook.com/RaueCenter, and twitter.com/RaueCenter. 

Creative Differences

Fostering community through the arts.

by Maribeth Ling, box office lead at Raue Center For The Arts

Patrons have flocked to the Theater since as early as the fifth century, looking for a supportive and immersive experience. To be transported out of their own lives and into those on stage. It’s one of the things I love about the Theater: a passion my family helped instill in me.

One of the first live performances that I can recall seeing was my Uncle performing in 1776 at the Shady Lane Theater in Marengo. That performance steered me to want to try acting for myself. so my twin sister and I joined a production of Oliver Twist shortly after. It was an experience that led me to realize that I didn’t like being on stage. I enjoyed being behind the scenes much more than being in the spotlight. My sister, on the other hand, loved being onstage.

David M. Rubenstein once said that “The Performing Arts tend to unify people in a way nothing else does.” That is the beauty of the Theater. No matter who you are, there will be something that speaks to you—Introverts versus Extroverts, Music people versus Orators, Dramas versus Comedies. There is room for everyone at the Theater, whether they want to be in the spotlight or behind the scenes. My sister and I are a lot alike in many ways, but the theater gave us a place to express our differences and still share in a common experience.

I first came to Raue Center For The Arts in High School. My choir performed on its stage every year during the second semester. When we arrived, the first thing we took note of was its beauty. You can’t help but look around in awe at the Spanish-style décor. The lobby’s tile flooring and ironwork are not found in many areas. We couldn’t wait to perform on the stage, under the starlit sky. It’s a beautiful but relaxed environment.

Later on, I came to see the Whirling Dervishes, movie screenings, several WSR shows, and even a comedian or two. It wasn’t until I started to work here, however, that I understood what Raue Center for the Arts means to the Community. The Theater has a part in community events such as the Bob Blazier Run, the Johnny Appleseed Festival, and the 6×6 project. They provide space to different Dance studios and host their educational programs and shows. Marshall McLuhan once said, “Anyone who tries to make a distinction between education and entertainment doesn’t know the first thing about either.” Through Education, they allow students to come into their own, developing their interests and help create their sense of community that will carry on for years to come.

I have never seen a more peer encouraged, supportive group of children than the students at Raue Center School For The Arts. The variety that is offered allows everyone to get involved in the Arts.

One of the best parts of my job is hearing about how the Raue has affected its patrons. We have had patrons come in with their families to share their memories in the building. Recently, a patron talked with me about how they used to work in the building when it was a movie theater. It was fun to listen to his memories of what the building looked like. I’ve overheard patrons talking about how they lived in the upstairs apartments, currently our 26N Lounge space. Another patron talked about how participating in the 6×6 project reignited their passion for art. Raue Center for the Arts is enriching lives for the best through the power of Performing Arts; I had no idea how much it was needed until I became a part of it.

Photo by Todd Heintz Photography.

Prairie Ridge Presents “Into the Woods”

Prairie Ridge Presents “Into the Woods”
KARI FIRAK JAN 21 2022 8:36 AM
Prairie Ridge Theatre presents “Into the Woods” for this year’s spring musical. Tickets are $10, get them while they last!


Performance Dates & Times:

Feb 25 – 7 p.m.
Feb 26 – 7 p.m.
March 3 – 7 p.m.
March 4 – 7 p.m.
March 5 – 1 p.m. and 6 p.m.

The Brothers Grimm hit the stage with an epic fairytale about wishes, family, and the choices we make. James Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless, yet relevant, piece… and a rare modern classic. The Tony-winning show’s story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them later with disastrous results.

More info at https://pr.d155.org/about/prhs-news

CLS Theatre Presents: Mamma Mia!

Crystal Lake South Theatre presents “Mamma Mia!” for this year’s spring musical. Tickets are $10, and go on sale Friday, February 4, at 6:00 p.m.


Performance Dates & Times:

February 18, 19, 25 – 7:00 p.m.
February 26 – 1:00 p.m. and 7:00 p.m.

ABBA’s hits tell the hilarious story of a young woman’s search for her birth father. This sunny and funny tale unfolds on a Greek island paradise. On the eve of her wedding, a daughter’s quest to discover the identity of her father brings three men from her mother’s past back to the island they last visited 20 years ago.

The story-telling magic of ABBA’s timeless songs propels this enchanting tale of love, laughter, and friendship, creating an unforgettable show. A large cast of non-stop laughs and explosive dance numbers combine to make Mamma Mia! a guaranteed smash hit for any theatre. A mother. A daughter. Three possible dads. And a trip down the aisle you’ll never forget!

More info at https://cls.d155.org/about/school-news


original script Rob Fearn & Leo Appleton, and (obviously) adapted from the short story by Charles Dickens 

directed by Sheri Warren
music direction by Kyle Schneider
choreography & asst. direction by Billy Seger
musical arrangement by Evan Swanson & Kyle Schneider 

Adult Cast

Tony Calkins • Rachel Carreras • Christopher Davis Joe Lewis • Mark Mahallak • Erin O’Brien • Mary Rose

Youth Cast

Addison Ambrosia • Josh Annen • Piper Azzarello • Caleigh Banks • Carter Bergman • Liam Burke Mia Clifford • Hannah Covalt • David Daskalov • Kayleigh DeGeorge • Lorelai Dickson • Kennedy Farmer Charlotte Farmer • Annalee Fisher • Charlie Fisher • Addie Hartzheim • Kendra Heidtke • Elin Kaye Jonathan Kinkade • Reagan Kottke • Hazel Krotser • Makynli Kusch • Colin Lossman • Tara Maguire Emma McBreen • Fiona Miceli • Paige Montanye • Brooklyn Morey • Isabelle Mudra • Maddie Olszewski Easton Paulson • Olivia Price • Faye Radeni • Noah Rea • Brennan Reinhard • Meadow Roth • Courtney Schaal Tatum Schultz • Sydney Sullivan • Lucy Thome • Abigail Thompson • Charlotte Thompson • Brooke Ulen Blakely Voight • Katie Witt • Faith Zabielski • Olivia Zak • Audrey Zimmerman • Caroline Zimmerman Maggie Zimmerman • Natalie Zimmerman

RCSA Backstage Crew: Stella Thome, Mia Guerrieri, and Campbell Krausen 

Orchestra: Keyboard – Kyle Schneider | Guitar – Patrick Jansen Bass – Adam Huckeby
Drums – Aldren Briones | Reed – Barb Schotanus 

Photos courtesy of Todd Heintz Photography.


Stage Manager: Dan Mitchell
Assistant Stage Manager: Jaclyn Mitchell
Costume Designer: Patty Halajian
Lighting Designer/Props Master: Jarrod Bainter
Sound Designer: Commedore Clark
Scenic Designer/Charge Ar5st: William Schmiel
Teaching Assistant: Erin O’Brien
Founding Artistic Director: Richard Kuranda
Producer: Kyle Schneider
Associate Producer: Amanda Flahive

This amateur production is by arrangement with NODA Limited. RA Christmas Carol Script